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Welcome to Repertoire!

This is the place where we take a look at some of the most commonly played jazz standards. If it’s your first time on the page, then please download a PDF of your choice and watch the video introductory video; where I explain how everything works.

The repertoire is separated into different ‘levels’ of difficulty, mainly based on the harmonic concepts used in the pieces.

In the true tradition of jazz music, I recommend transcribing the melodies for the tunes from a recording that you like the sound of. Every jazz standard has multiple melodic (and sometimes harmonic) interpretations - so there are no rights or wrongs! There’s a Spotify playlist with a couple of versions of each tune in to get you started.

Learning Melodies

Level 1

Looking for somewhere to start - ‘Learn the Blues’ covers the most common chord sequence in jazz, starting with a simple, three chord blues before adding in the all important ii-V-I progression. After you’ve mastered this, feel free to check out any of the other tunes in this level (you’ll start to notice similarities!

Harmonic concepts covered:

  • The Major ii V I.

  • The 12 bar blues.

  • The dominant 7 chord.

  • The minor 7 chord.

  • The major 7 chord.

Learn the blues (Concert)
Learn the blues (B flat)
Learn the blues (E flat)
Learn the blues (Bass Clef)
Impressions (Concert)
Impressions (B Flat)
Impressions (E Flat)
Impressions (Bass Clef)
Watermelon Man (Concert)
Watermelon Man (B Flat)
Watermelon Man (E Flat)
Watermelon Man (Bass Clef)
Recordame (Concert)
Recordame (B Flat)
Recordame (E flat)
Recordame (Bass Clef)
 
 

 

Level 2

If you’re comfortable with your major ii V I’s then why not try some tunes from Level 2. These focus on the minor ii V I, with one or two other surprises along the way.

Harmonic Concepts Covered:

  • The m7b5 as mode ii of the harmonic minor.

  • The 7b9b13 as mode V of the harmonic minor.

  • The minor ii V I.

  • The Secondary Dominant.

  • The iii VI ii V turnaround.

  • Common Modulations including; relative major/minor, subdominant and by semitones.

Autumn Leaves (Concert)
Autumn Leaves (B Flat)
Autumn Leaves (E Flat)
Autumn Leaves (Bass Clef)
Blue Bossa (Concert)
Blue Bossa (B Flat)
Blue Bossa (E Flat)
Blue Bossa (Bass Clef)
The Jazz Blues (Concert)
The Jazz Blues (B Flat)
The Jazz Blues (E Flat)
The Jazz Blues (Bass Clef)
Bye Bye Blackbird (Concert)
Bye Bye Blackbird (B Flat)
Bye Bye Blackbird (E Flat)
Bye Bye Blackbird (Bass Clef)

Level 3

 

Happy with your functional harmony? Got your ii V I’s, secondary dominant and common modulations down? Then here are some more challenging tunes to get stuck into 😉